Spring

Spring 73 - 2005

Cinema & Psyche

280 pages, ISBN 1-882670-30-2 / 978-1-882670-30-7, Spring Journal

Archetypal Perspective and American Film by Glen Slater

The Eye at the Heart of the World by John Beebe

Why Should We Take Jungian Film Studies Seriously? by Don Fredericksen

Cinema as Illusion and Reality by Luke Hockley

Archetypes, Coherence, and the Cinema by Michael Conforti

Cin-Imago Dei: Jungian Psychology and Images of the Soul in Contemporary Cinema by Terrill L. Gibson

The Feminine Principle in Film: Reflections on Film and Its Relation to the Human Psyche by Ingela Romare

What Makes Movies Work? Unconscious Processes and the Movie-Makers’ Craft by Christopher Hauke

A ’Close-Up’ of the Kiss by Marilyn Marshall

Looking For Mother: The Power of the Mother Complex in the Films of Ingmar Bergman by Ingmarie McElvain

Search for the Soul: The Cinema of Krzysztof Kieslowski and The Double Life of Veronique by Linda Schierse Leonard

The Phantom of the Opera: Angel of Music or Demon Lover? by Susan Olson

Hitchcock’s Strangers on a Train and Leconte’s Man on a Train: Denying and Befriending the Shadow by James Palmer

Westerns and Global Imperialism by John Izod

Transformations in the Mythic Construct of the Hero: The Manchurian Candidate from 1964 to 2004 by Jane Alexander Stewart

BOOK REVIEW: Jung as a Writer by Susan Rowland by Ginette Paris

BOOK REVIEW: The Cultural Complex: Contemporary Jungian Perspectives on Psyche and Society by Thomas Singer and Samuel L. Kimbles (eds.) by David Tacey

BOOK REVIEW: Nietzsche and Jung: The Whole Self in the Union of Opposites by Lucy Huskinson by Paul Bishop

BOOK REVIEW: The Healing Spirit of Haiku by David Rosen and Joel Weishaus by Susan Rowland

BOOK REVIEW: The Art of Inquiry: A Depth Psychological Approach by Joseph Coppin and Elisabeth Nelson, and
Dark Nights of the Soul: A Guide to Finding Your Way Through Life’s Ordeals by Thomas Moore by Dennis Patrick Slattery